Years later, Alexia, now an adult with a large scar on the side of her head, works as a showgirl at a motor show. When she gets out of the hospital, she shuns her parents and embraces their car passionately. Alexia suffers a skull injury and has a titanium plate fitted into her head. As she removes her seatbelt, her father turns around to scold her, causing a car crash. Plot Ī little girl named Alexia annoys her father during a drive. At the 11th Magritte Awards, Titane received five nominations and won two awards, including Best Foreign Film. At the 75th British Academy Film Awards, Ducournau received a nomination for Best Director. At the 47th César Awards, it was nominated for four awards, including Best Director for Ducournau and Most Promising Actress for Rousselle. It received critical acclaim and was selected as the French entry for the Best International Feature Film at the 94th Academy Awards, but did not make the shortlist. The film had its world premiere at the Cannes Film Festival on 13 July 2021, where Ducournau became the second female director to win the Palme d'Or, the festival's top award, as well as the first female filmmaker to win solo. Vincent Lindon, Garance Marillier and Laïs Salameh also star. The French-Belgian co-production stars Agathe Rousselle in her feature film debut as Alexia, a woman who, after being injured in a car crash as a child, has a titanium plate fitted into her head. "Titanium") is a 2021 French body horror psychological drama film written and directed by Julia Ducournau. Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.Titane ( French: ( listen), lit. But anyone who has ever felt shamed for their desires will recognize themselves in Justine, even of they have never found themselves hunched on the kitchen floor in the middle of the night, tearing into a slab of raw fish. Body horror fans will find much to satisfy their own taste for blood in “Raw,” without venturing to guess what the filmmaker might be trying to say. In interviews, Ducournau resists pinning down meaning or metaphor. These stark images are juxtaposed with Justine on her hands and knees, snapping for a taste of flesh the way bystanders must pull Justine and Alexia off each other during a fight as if they were rabid dogs or the savage abandon with which Justine devours her first shawarma from the bone. A pig cadaver on a gurney an anesthetized horse hanging by its hooves Alexia’s gloved arm diving into a cow’s anus. The vet school setting is ripe for symbolism, allowing Ducournau to make ample use of animals - both their bodies and their instincts. READ MORE: ‘Raw’ Filmmaker Julia Ducournau On The Bloody, Terrifying Challenge That Fueled Her Tasty New Genre Film When Alexia notices Justine’s hairy armpits, she asserts: “At your age, I already gave myself Brazilians.” Lying spread eagled before her older sister, the family dog sniffs between her legs before Alexia dives in with the wax. After retching up balls of her own hair in the bathroom, a classmate cheerfully suggests she use two fingers next time. Ducournau uses Justine’s interactions to show the ways in which girls teach each other how to feel about their bodies. Her only friend is her roommate, Adrien (Rabah Naït Oufella), whose unapologetic sexuality stands in stark contrast to Justine’s doe-eyed innocence. Justine is shocked to learn that Alexia has already discovered her taste for meat, and the sisters begin an epic dance that will test the limits of their blood bond. When she protests on vegetarian principle, Justine thinks she has found an ally in her older sister, Alexia (Ella Rumpf), also a student at the school. Once at school, the young newbie is abruptly whisked out of bed to a grotesque hazing ritual that finds all the freshmen doused in pig’s blood, and forced to down raw rabbit kidney. Meat pulls focus early on, when Justine spits out a greyish-brown ball of it from a bland gob of mashed potatoes. The film opens as Justine is dropped off at veterinarian school by her staunchly vegetarian parents. READ MORE: 6 Must-See French Films and Special Events From Rendez-Vous With French Cinema (Like the father of body horror, David Cronenberg.) Shrewdly using the art-horror format to upend the traditional teen Bildungsroman, “Raw” makes it impossible to look away - as much as you might want to. “ Raw” may start out like any other coming-of-age tale, but as soon as Justine (Garance Marillier) gets her first taste of meat, she’s transformed from good girl to social outcast, rejected by society for her carnal desires.ĭucournau tears down the walls of a genre so often identified with male filmmakers. Female sexuality carries the same taboo as a ravenous flesh-eating teenager in this provocative feature debut from French filmmaker Julia Ducournau.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |